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Special Exhibit 2005 (May 28 thru Sept. 6) Honoring the World Bonsai Friendship Federation Featuring pots from the I. C. Su Collection |
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Smithsonian Freer Gallery of Art and Arthur M. Sackler Gallery |
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Cloisonne planter China, Qing dynasty, Jiaqing reign (1796 - 1820) Enamel, gilt metal, metal liner Lent by Mr. and Mrs. I. C. Su ELS2005.3.1 The openwork panels depict symbolic imagery. Two catfish suspended from a music stone, with bats and peaches surrounding the motif, form a rebus, or visual pun, auguring "blessing and long life year after year." |

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Rectangular ceramic planter This planter shows the bluish-lavendar glaze that |

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Ceramic tripod planter This tripod bears the eight-trigram motif found in ancient
chinese |

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Ceramic planter with tea-dust glaze Eighteenth-century potters at the imperial kiln in Jingdezhen
created |

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Foliate ceramic planter China, undated Unglazed stoneware Lent by Mr. and Mrs. I. C. Su ELS2005.3.5 The foliate shape of this clay pot would make a perfect foil for the gnarled roots of the type of bonsai tree likely to have paired with it. |

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Rectangular ceramic planter China, jiangsu Province, Yixing ware Ming dynasty (1368 - 1644) Unglazed stoneware Lent by Mr. and Mrs. I. C. Su ELS2005.3.6 The raven-colored, purplish-black clay of the unglazed pot was greatly admired in the second half of the Ming dynasty. Because of Yixing ware's early association with China's educated scholar class, it still remains one of the favorite choices for contemporary bonsai artists. |

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Painted ceramic planter Unglazed, dark clay pot, including plain ones and those with painterly decoration, are especially admired because the natral pairing between their earthy colors and bonsai arrangements of plants and rocks. |

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Gilt-metal and jade-inlaid pot The central openwork jade plaques brandish full-faced dragons |